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Kabira Khada Bazaar Mein
Kabira Khada Bazaar Mein

Kabira Khada Bazaar Mein

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About the Film: In 15th century north India, the mystic weaver Kabir spoke his poems in the market place, his spirituality firmly grounded in the public square. 600 years after his time, Kabir is found in both spaces – sacred and secular. This film interweaves his deification by the Kabir Panth sect with his secular appropriation by the social activist group Eklavya. The story unfolds through the life of Prahlad Tipanya, a Dalit singer whose participation in both domains, begins to raise difficult questions for him about ritual and organized religion. 


About the Filmmaker: Shabnam Virmani, is a documentary film maker and artist in residence at the Srishti School of Art, Design and Technology in Bangalore since 2002.Co-founder of the Drishti Media Arts and Human Rights collective, she has directed several documentaries in close partnership with grassroots women’s groups in the country (When Women Unite and Tu Zinda Hai, Bol series among others) and also co-directed an award-winning community radio program with the Kutch Mahila Vikas Sangathan in Gujarat. Virmani began her career as a sub-editor in The Times of India in Jaipur in 1987. A few months later she made journalistic history when she filed the Sati story on what happened in Deorala village, Rajasthan. The next year she won a scholarship to do a Masters degree in Development Communication at the Cornell University, United States. She tried her hand at filmmaking there and her 20-minute student film"Have a Nice Day," was a personal narrative of her alienation, as an Indian student trying to come to terms with North American culture. Shabnam Virmani is the director of the Kabir Project. Started in 2003, the Kabir project brings together the experiences of a series of journeys in quest of this 15th century mystic poet in our contemporary worlds. It consists of documentary films, 2 folk music videos and 10 music CDs accompanied by books of the poetry in translation. The filmsjourney into contemporary spaces touched by his music and poetry. In her films, Shabnam juxtaposes the urban and the rural, the Indian and the foreign, the classical and the folk, and the secular and the sacred, in their many approaches to Kabir and the search for a universal voice.